New York Times
Posted on Nov 28, 2009 in Reviews | Comments Off
Jazz: Svend Asmussen John S. Wilson The veteran Danish jazz violinist Svend Asmussen is appearing through Sunday at Fat Tuesday’s, Third Avenue near 17th Street, with the Dave Grisman Quintet, turning it into one of the finest jazz string ensembles since the Quintet of the Hot Club of France in which Django Reinhardt and Stephane Grappelli played 50 years...
Read MoreMining the American Music Motherlode at Telluride
Posted on Nov 27, 2009 in Featured, Reviews | Comments Off
By John Lehndorff It was the best of bluegrass festivals. It was the worst of bluegrass festivals. If you liked your bluegrass leavened with rock, jazz, reggae, country, classical, blues, folk and more it was a glowing American musical celebration, not to mention a ton of fun. If you liked your bluegrass traditional, you were left wondering if you had landed...
Read MoreJazz drummer and 1920′s playwright?
Posted on Nov 25, 2009 in Reviews | Comments Off
By Philip Elwood Max Roach, jazz percussionist, looked more dapper and enthusiastic than he had any right to be when he arrived at the office of Sharon Ott, artistic director of the Berkeley Repertory Theater. We met there to talk about his writing the score for Berkeley Rep’s presentation of Eugene O’Neill’s “The Hairy Ape,” which...
Read MoreJazzman Gets Dramatic With O’Neill Score
Posted on Nov 24, 2009 in Reviews | Comments Off
BY LEE HILDEBRAND MAX ROACH, whose rhythmic innovations were a key factor in defining the role of drums in modern jazz, has been composing music for the theater ever since a short-lived Broadway production of Richard Wright’s “Black Boy” in the early ’50s. Yet it wasn’t until he met George Ferencz at a party at poet-playwright Amiri...
Read MoreHairy Ape; explores the jungle of the soul
Posted on Nov 23, 2009 in Reviews | Comments Off
By Lawrence Enscoe Stage lights cut across Yank Smith, who stands like a Neanderthal king in a creaking steamship stokehole. Yank’s muscles twist and glisten as he snarls his ferocious insults, spitting them out like rotten meat. All around him are shadowy, apelike men, hooting and shrieking as they drag their knuckles across the coal-layered floor. Above,...
Read MoreO’Neill’s Class Menagerie in S.F.
Posted on Nov 22, 2009 in Reviews | Comments Off
By Bernard Weiner The Berkeley Repertory Theater, which already is running two distinct facets of Eugene O’Neill’s illustrious career on its main stage (“Ah, Wilderness!” and “Long Day’s Journey Into Night”), now shows us the early O’Neill when the playwright was working in an expressionist mode. The Hairy...
Read MoreGuitar and MIDI at Gryphon
Posted on Nov 21, 2009 in Reviews | Comments Off
Musig Quarterly At our MuSIG meeting at Gryphon Stringed Instruments in Palo Alto, over 30 of us were treated to a fascinating and impressive presentation on guitar synthesizer controllers by Dimitri Vandellos and Warren Sirota. Versatile performing artist Mark Hanson, who teaches guitar at Gryphon, was our host and did a great job making sure that we had...
Read MoreSvingin' With Svend Reviews
Posted on Nov 20, 2009 in Reviews | Comments Off
Guitar Player Magazine Svingin’ With Svend Mandolinist Grisman’s collaboration with Danish jazz violin great Svend Asmussen also debuts the guitar work of Dimitri Vandellos. Though Dimitri’s presence is mainly felt in his tasteful rhythmic backup, his several solos on acoustic steel-string and hollow body electric indicate that the Dawg has...
Read MoreBrubeck and Friends prove jazz lives
Posted on Nov 19, 2009 in Reviews | Comments Off
Gerald Kloss Milwaukee Journal You know you’ve got a meaty program when the headline act doesn’t come on until 11:15 p.m., more than three hours after the start of the show. So Milwaukee Jazz buffs got their money’s worth and more at, the Performing Arts Center Thursday night, even before Dave Brubeck and Sons took the stage to wrap up the...
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